Alicia Adamerovich (b. 1989, Latrobe, PA) creates paintings and sculptures that engage a distinctive visual language of biomorphic abstraction to reflect the landscape of the subconscious. The Brooklyn-based artist builds up her canvases with multiple layers of pumice, gel, sand, and paint, achieving uncanny effects of surface, depth, and atmosphere. Her undulating, variegated sculptures are carved from fallen trees sourced from her parents’ land in rural Pennsylvania. Adamerovich works intuitively and automatically in both mediums. She offers forms that transcend contrasting qualities— at once fragile and resilient, simple and complex, ominous and radiant.
Adamerovich studied art and design at the Maryland Institute College of Art and Pennsylvania State University. Her recent solo exhibitions include This is the time of the hour at Kohn Gallery, Los Angeles, in 2023; Ultra-gentle manipulation of delicate objects at Pangée, Montréal, in 2022; and in 2021, Second Nature at Del Vaz Projects, Los Angeles, and A Bat out of Hell at Sans Titre, Paris. She has also participated in exhibitions at Timothy Taylor Gallery, Margot Samel Gallery, Rachel Uffner Gallery, and Mrs. Gallery in New York; Lafayette Anticipations, Paris; Yee Society, Hong Kong; Green Family Art Foundation, Dallas; Artpace, San Antonio; and Mana Contemporary, Jersey City. Adamerovich is the recipient of the 2022 LCA Prize for Emergent at MiArt, Milan, as well as residencies including the Del Vaz Projects Residency, Los Angeles; Moly-Sabata Artist Residency, Albert Gleizes Foundation, Sablons, France; and Palazzo Monti Residency, Brescia, Italy. Her work can be found in the permanent collections of He Art Museum, Guangdong, China; X Museum, Beijing; and the Green Family Art Foundation, Dallas.
Alicia Adamerovich (b. 1989, Latrobe, PA) creates paintings and sculptures that engage a distinctive visual language of biomorphic abstraction to reflect the landscape of the subconscious. The Brooklyn-based artist builds up her canvases with multiple layers of pumice, gel, sand, and paint, achieving uncanny effects of surface, depth, and atmosphere. Her undulating, variegated sculptures are carved from fallen trees sourced from her parents’ land in rural Pennsylvania. Adamerovich works intuitively and automatically in both mediums. She offers forms that transcend contrasting qualities— at once fragile and resilient, simple and complex, ominous and radiant.
Adamerovich studied art and design at the Maryland Institute College of Art and Pennsylvania State University. Her recent solo exhibitions include This is the time of the hour at Kohn Gallery, Los Angeles, in 2023; Ultra-gentle manipulation of delicate objects at Pangée, Montréal, in 2022; and in 2021, Second Nature at Del Vaz Projects, Los Angeles, and A Bat out of Hell at Sans Titre, Paris. She has also participated in exhibitions at Timothy Taylor Gallery, Margot Samel Gallery, Rachel Uffner Gallery, and Mrs. Gallery in New York; Lafayette Anticipations, Paris; Yee Society, Hong Kong; Green Family Art Foundation, Dallas; Artpace, San Antonio; and Mana Contemporary, Jersey City. Adamerovich is the recipient of the 2022 LCA Prize for Emergent at MiArt, Milan, as well as residencies including the Del Vaz Projects Residency, Los Angeles; Moly-Sabata Artist Residency, Albert Gleizes Foundation, Sablons, France; and Palazzo Monti Residency, Brescia, Italy. Her work can be found in the permanent collections of He Art Museum, Guangdong, China; X Museum, Beijing; and the Green Family Art Foundation, Dallas.
| 2023 | This is the time of the hour, Kohn Gallery, Los Angeles, CA |
| 2022 | Ultra-gentle manipulation of delicate structures, Pangée, Montréal, QC, Canada |
| 2021 | Anatomy of a Spiral, Projet Pangée at NADA Miami, Miami, FL |
Second Nature, Del Vaz Projects, Los Angeles, CA | |
Day, Galerie Tator, Lyon, France | |
A Bat out of Hell, Sans Titre (2016), Paris, France | |
| 2020 | The Loner’s Castle, Projet Pangée, Online |
Alicia Adamerovich, Odd Ark Annex, Los Angeles, CA | |
| 2019 | Vibrant Matter, FISK Gallery, Portland, OR |
| 2023 | (forthcoming) Kohn Gallery, Art Basel Miami Beach, Miami, FL |
(forthcoming) Kohn Gallery, Armory Show, New York, NY | |
(forthcoming) TWOxTWO for AIDS and Art, Rachofsky House, Dallas, TX | |
(forthcoming) Visions, Museum Krona, Uden, Netherlands | |
(forthcoming) TBD, Europa, New York, NY | |
Dreaming of Eden, Timothy Taylor Gallery, New York, NY | |
White Columns Benefit Auction, New York, NY | |
Pangée, NADA NY, New York, NY | |
Considering female abstraction, Green Family Art Foundation, Dallas, TX | |
Au-delà, Lafayette Anticipations, Paris, France | |
| 2022 | Kohn Gallery, Art Basel Miami Beach, Miami, FL |
To be a giant and keep quiet about it, Yee Society, Hong Kong | |
Kohn Gallery, Armory Show, New York, NY | |
To be a giant and keep quiet about it, Margot Samel Gallery, New York, NY | |
Alicia Adamerovich & Ezio Gribaudo, Sans Titre (2016) at MiArt, Milan, Italy | |
Mystic Toolkit, Artpace, San Antonio, TX - curated by Anaïs Castro | |
| 2021 | Parallax: Alicia Adamerovich, Jenna Ransom, Alisa Bones, Y2k Group, New York, NY |
Theorem Y, Mrs. Gallery, Queens, NY | |
Theorem X, Rachel Uffner Gallery, New York, NY | |
Shelter Lines: Barbara Prenka & Alicia Adamerovich, Palazzo Monti, Brescia, Italy | |
The Symbolists, Les Fleurs du mal, Hesse Flatow, New York, NY | |
| 2020 | Projet Pangée, Art Toronto, Toronto, ON, Canada |
Palazzo Monti: Transatlantico, Mana Contemporary, Jersey City, NJ | |
The Essentials Show, Fisher Parrish, Brooklyn, NY | |
Projet Pangée, Material Art Fair, CDMX | |
| 2019 | Tulips, Kapp Kapp, Philadelphia, PA |
Wild Objects: Alicia Adamerovich + Sessa Englund, Projet Pangée, Montréal,QC, Canada | |
Pack Den Badeanzug Ein, Galerie Kornfeld, Berlin, Germany | |
A fairly secret army, Wild Palms, Düsseldorf, Germany | |
Serenity Later, Künstraum, Brooklyn, NY | |
Uncanny Tales, Agency/MetaMetaMeta, Brooklyn, NY | |
Surreality, Hesse Flatow, New York, NY | |
| 2018 | FISK & Friends, FISK Gallery, Portland, OR |
Comfort Zone, One Eyed Studios, Queens, NY | |
RE_ARRANGE, Mana Contemporary, Jersey City, NJ | |
Foreign Lands, One Eyed Studios, Queens, NY | |
| 2017 | Currents, Secret Project Robot, Brooklyn, NY |
Solita: or the pleasures of solitude, Sad Gallery, Brooklyn, NY |
| 2022 | LCA Price for Emergent at MiArt, Milan, Italy |
| 2021 | Del Vaz Projects Residency, Los Angeles, CA |
Moly Sabata Artist Residency, Albert Gleizes Foundation, Sablons, France | |
Palazzo Monti Residency, Brescia, Italy | |
| 2019 | FISK Gallery Residency, Portland, OR |
| 2018 | Urban Glass Scholarship |
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