
Birdsong
Timothy Taylor is pleased to present Birdsong, a group exhibition of works showcasing influential voices in contemporary British art, at the gallery’s London space. Spanning genres and generations, Birdsong presents an eclectic group of works by UK-based and British artists.
This program supports The Royal Marsden Cancer Charity’s mission to improve the lives of people affected by cancer – supporting an institution where Taylor himself was treated for Hodgkin’s Lymphoma as a young man. The exhibition’s title is inspired by the title of Sebastian Faulks’ book of the same name, evoking a symbol of hope and resilience in the face of mortality.
The Royal Marsden Cancer Charity raises money solely to support The Royal Marsden, a world-leading cancer hospital which opened its doors in 1851. It is a centre of excellence with an international reputation for groundbreaking research and pioneering the very latest in cancer treatments and technologies, as well as specialising in cancer diagnosis and education. Their mission is to make national and global contributions to cancer research and treatment.
This program supports The Royal Marsden Cancer Charity’s mission to improve the lives of people affected by cancer – supporting an institution where Taylor himself was treated for Hodgkin’s Lymphoma as a young man. The exhibition’s title is inspired by the title of Sebastian Faulks’ book of the same name, evoking a symbol of hope and resilience in the face of mortality.
The Royal Marsden Cancer Charity raises money solely to support The Royal Marsden, a world-leading cancer hospital which opened its doors in 1851. It is a centre of excellence with an international reputation for groundbreaking research and pioneering the very latest in cancer treatments and technologies, as well as specialising in cancer diagnosis and education. Their mission is to make national and global contributions to cancer research and treatment.
“My family has supported the Royal Marsden’s world-leading research efforts since my own experience with Hodgkin’s Lymphoma. I have seen their passion first-hand, and I thank every participating artist for their generosity in supporting this cause. Birdsong embodies the joy that art can lend even in the most challenging circumstances.” – Timothy Taylor
Support
Rachel Whiteread, Untitled (Gunmetal Grey and Blue), 2023Papier Mache and Silver Leaf (two panels) Framed: 21 1/4 x 23 1/4 x 3 1/8 in. / 54 x 59 x 8 cmEnquire

Yinka Shonibare CBE, Modern Magic (in Pink), 2022Relief print with woodblock and Fabric collage on Tub sized Somerset Satin Radiant White 410g 43 1/4 x 34 7/8 in. / 109.9 x 88.5 cmEnquire

Idris Khan, The Pattern of Landscape, 2023Watercolour and oil on aluminium with mounted and sheet music 27 1/2 x 22 3/4 x 1/8 in. / 70 x 57.9 x 0.35 cmEnquire

Anne Rothenstein, Walking Figure, 2014Oil and collage on wood 17 3/8 x 21 5/8 in. / 44 x 55 cmEnquire

Paula Rego, Lamentation, 2009Etching with hand-colouring by the artist, a unique proof 25 1/4 x 20 1/8 in. / 64.2 x 51 cmEnquire

Andrew Pierre Hart, The Bio - Musicologists 23, 2023Oil on canvas 19 3/4 x 31 1/2 in. / 50 x 80 cmEnquire

Daniel Crews-Chubb, Acrobat (Cyan), 2023Oil, pastel, acrylic, ink, charcoal, spray paint, coarse pumice gel and sand on canvas in artist’s frame 19 3/8 x 25 3/8 in. / 49.3 x 64.5 cmEnquire

Tracey Emin, You Should Have Saved Me, 2023BronzeEdition of 25 6 x 4 x 1.5 in. / 16 x 10.5 x 3.5 cmEnquire

Emma Fineman, Phantom, 2022Archival printing ink on newsprint with aluminium T-pins 17 3/8 x 12 5/8 in. / 32 x 44 cm (each)Enquire

Richard Long, Untitled, 2020Black paint from the burnt crop fields in Iraq and Syria on hand-made Korean paper 18 3/4 x 21 7/8 in. / 47.5 x 55.5 cmEnquire

Richard Long, Untitled, 2020Black paint from the burnt crop fields in Iraq and Syria on hand-made Korean paper 18 3/4 x 21 7/8 in. / 47.5 x 55.5 cmEnquire

Richard Long, Untitled, 2020Black paint from the burnt crop fields in Iraq and Syria on hand-made Korean paper 18 3/4 x 21 7/8 in. / 47.5 x 55.5 cmEnquire

Chantal Joffe, Self-Portrait After the Bath (After Degas) III, 2020Pastel on paper 15 3/4 x 11 3/4 in./ 40 x 30 cmEnquire

Annie Morris, Stack 3, Cobalt Turquoise, 2023Foam core, pigment, steel, sand, plaster Height 15 3/4 in. / 40 cmEnquire

Annie Morris, Stack 3, Cadmium Red, 2023Foam core, pigment, steel, sand, plaster Height 15 3/4 in. / 40 cmEnquire

Annie Morris, Stack 3, Ultramarine Blue, 2023Foam core, pigment, steel, sand, plaster Height 15 3/4 in. / 40 cmEnquire

Richard Patterson, The Birth of Jan, 2013C-Type Diasec printEdition of 8 29 1/2 x 21 3/4 in. / 75 x 55.4 cmEnquire
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