• Dwelling is the Light

    Timothy Taylor presents Dwelling is the Light, an online exhibition curated by Katy Hessel, the curator and art historian behind The Great Women Artists Instagram account.

    Inspired by the evolving effects of the global lockdown on our attitudes towards nature versus domestic life, the exhibition presents works by a multigenerational group of women artists working within a range of mediums to explore the relationship between interiors and the outdoors.

    As Hessel writes, "Women—who for many centuries were simultaneously at home within but also confined to domestic spaces—retain a unique perspective on the interplay between the indoors and the unbridled freedom of the natural world.” The title, Dwelling is the Light, is drawn from William Wordsworth’s seminal 1798 poem ‘Tintern Abbey,’ which centers on the author’s meditations on the restorative powers of nature, even in the form of memory.

    We invite you to explore Dwelling is the Light through 15 May.

    Artists
    Diane Arbus
    Vija Celmins
    Hope Gangloff
    Prudence Flint
    Sanam Khatibi
    Cassi Namoda
    Hilary Pecis
    Pamela Phatsimo Sunstrum
    Antonia Showering
    Kiki Smith
    Lily Stockman
    Lucy Williams

    • Antonia Showering Omit2020 Oil on canvas 39 3/8 x 29 1/2 in. / 100 x 75 cm
      Antonia Showering
      Omit2020
      Oil on canvas
      39 3/8 x 29 1/2 in. / 100 x 75 cm
    • Antonia Showering Introspective Views2017 Oil on canvas 63 x 51 1/8 in. / 160 x 130 cm
      Antonia Showering
      Introspective Views2017
      Oil on canvas
      63 x 51 1/8 in. / 160 x 130 cm
    • Hope Gangloff Star Color Study2019 Acrylic on wood 12 x 12 in. / 30.5 x 30.5 cm
      Hope Gangloff
      Star Color Study2019
      Acrylic on wood
      12 x 12 in. / 30.5 x 30.5 cm
    • Hope Gangloff Icicle Weeds on Monterey Bay/Spring2019 Acrylic on canvas 24 x 36 in. / 61 x 91.4 cm
      Hope Gangloff
      Icicle Weeds on Monterey Bay/Spring2019
      Acrylic on canvas
      24 x 36 in. / 61 x 91.4 cm
    • Hope Gangloff Future Skies Over Bozeman, Montana Reprise2019 Acrylic on linen 80 x 120 in. / 203.2 x 304.8 cm
      Hope Gangloff
      Future Skies Over Bozeman, Montana Reprise2019
      Acrylic on linen
      80 x 120 in. / 203.2 x 304.8 cm
    • Hope Gangloff Stewart Blooms Study2019 Acrylic on canvas 16 x 20 in. / 40.6 x 50.8 cm
      Hope Gangloff
      Stewart Blooms Study2019
      Acrylic on canvas
      16 x 20 in. / 40.6 x 50.8 cm
  • Once again
    Do I behold these steep and lofty cliffs,
    That on a wild secluded scene impress
    Thoughts of more deep seclusion; and connect
    The landscape with the quiet of the sky.

    • Sanam Khatibi Underneath the Southern Skies2019 Oil, pastel and pencil on panel 9 1/2 x 12 1/4 in. / 24 x 31 cm
      Sanam Khatibi
      Underneath the Southern Skies2019
      Oil, pastel and pencil on panel
      9 1/2 x 12 1/4 in. / 24 x 31 cm
  • "Open sea water seen from above. Star-filled skies. Stones. Gray after gray: from the graphite of pencils, charcoal on paper and its erasure, oil paint in layer after layer of deep, smooth near-black. Forays into ochre and midnight blues, the earthen tones of sand and stone, then returning seemingly always to gray."

      – John Vincler, ‘On Desolation: Vija Celmins’, The Paris Review.

    • Lily Stockman Porringer2020 Oil on linen 14 x 11 in. / 35.6 x 27.9 cm
      Lily Stockman
      Porringer2020
      Oil on linen
      14 x 11 in. / 35.6 x 27.9 cm
    • Lily Stockman Black Hollyhock2020 Oil on linen 14 x 11 in. / 35.6 x 27.9 cm
      Lily Stockman
      Black Hollyhock2020
      Oil on linen
      14 x 11 in. / 35.6 x 27.9 cm
    • Prudence Flint The Stand2019 Oil on linen 48 1/8 x 40 1/8 in. / 122 x 102 cm
      Prudence Flint
      The Stand2019
      Oil on linen
      48 1/8 x 40 1/8 in. / 122 x 102 cm
    • Cassi Namoda Maria's free spirit2020 Acrylic on canvas 48 x 36 in. / 121.9 x 91.4 cm
      Cassi Namoda
      Maria's free spirit2020
      Acrylic on canvas
      48 x 36 in. / 121.9 x 91.4 cm
  • "Nature often transpierces indoor life in Los Angeles; Pecis shrewdly
    captures this quality’s sunnier aspects by framing the horizontal splay of
    how we represent ourselves within our own environments."

    – Emmalea Russo, 'Hilary Pecis', Artforum.

    • Hilary Pecis Fish and Bird2019 Acrylic on canvas 50 x 40 in. (127 x 101.6 cm)
      Hilary Pecis
      Fish and Bird2019
      Acrylic on canvas
      50 x 40 in. (127 x 101.6 cm)
    • Hilary Pecis Poppies2019 Acrylic on canvas 44 x 32 in. (111.8 x 81.3 cm)
      Hilary Pecis
      Poppies2019
      Acrylic on canvas
      44 x 32 in. (111.8 x 81.3 cm)
  • Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain-winds be free To blow...

    Therefore let the moon
    Shine on thee in thy solitary walk;
    And let the misty mountain-winds be free
    To blow against thee

    • Lucy Williams The Second Phase2003 Mixed media 11 2/3 x 16 1/2 in. /30 x 42 cm
      Lucy Williams
      The Second Phase2003
      Mixed media
      11 2/3 x 16 1/2 in. /30 x 42 cm
    • Pamela Phatsimo Sunstrum Monolith III2013 Mixed media on paper 27 1/2 x 35 7/8 in. / 70 x 91 cm
      Pamela Phatsimo Sunstrum
      Monolith III2013
      Mixed media on paper
      27 1/2 x 35 7/8 in. / 70 x 91 cm
  • Pamela Phatsimo Sunstrum, Polyhedra, 2016

    "Volcanic imagery tied in with my idea of ‘seeing through’: the body of a volcano becomes a portal through which we might glimpse the inner workings of the earth. That those inner workings present themselves as so powerfully destructive made me recall notions of beauty and the sublime." 

    – Pamela Sunstrum on her video animation Polyhedra.

  • Lines Composed a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye During a Tour, July 13, 1798

    William Wordsworth (1770–1850)