Alex Katz

Coming of age as an artist in the 1940s in New York, Alex Katz developed his unique approach to contemporary representational painting in reaction to the dominance of Abstract Expressionism, prior to the emergence of Pop Art. Subway Drawings exemplifies the artist's life-long pursuit to capture the present tense, through a highly accomplished but sparse line that has endured throughout his prolific career. Drawing serves as a crucial facet of the artist's practice - a tool of immediacy that articulates Katz's most essential images, across all the processes in which he engages.

During his time at Cooper Union, Katz chose figures on the subway as his subjects, preferring them over the models in the Cooper Union Art School figure drawing studio, where he attended from 1946-49. Riding the subway into the early hours of the morning, sketching portraits of passengers, the subway in effect became Katz's classroom.

These experiments were part of Katz's search for a unique style of visual communication and bear witness to the artist's development as a draftsman - a critical element of his acclaimed painting practice. The drawings are deceivingly complex: there is a sense that the subjects, despite sharing a subway car, were never present in the same space or at the same time. Lost in their own contemplation, Katz's subjects are surrounded by nothingness. There is no background or narrative, aside from the viewer's interpretation of the work. This tension is essential to Katz's style: portraits are rendered in fragmented moments, captured in the fleeting period between one subway station to the next. Though completed 70 years ago, Katz's subway drawings bring forth a charged immediacy

Published on the occasion of the exhibition
Alex Katz
Subway Drawings
27 April - 30 June 2017