Timothy Taylor is pleased to present the gallery’s first exhibition of paintings and studies by the late British artist Victor Willing (1928-1988), following announcement of representation earlier this year. Highlighting the fierce and complex surrealism Willing voiced in the 1970s-80s, the paintings hold a sharp emotional range - from joy to cerebral anxiety and the pain of mortality - that feels uniquely attuned to the present moment.
In the early 1970s Willing experienced his first vision following a return to England from Portugal, where he had lived with his children and wife, the artist Paula Rego. Shifting from figuration to a mysterious blend of the metaphysical and the geomtric, Willing began to paint furiously in response to hallucinatory reveries that appeared on the wall of his windowless Stepney studio. Ideas of memory, loneliness and nostalgia recur in rich golden-hued shades as distorted organic shapes and domestic symbols. Influenced by Jungian dream psychoanalysis, these fragmented images hint at the elusive workings of a solitary subconscious.
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Artworks
22 September – 5 November 2022
Timothy Taylor is pleased to present the gallery’s first exhibition of paintings and studies by the late British artist Victor Willing (1928-1988), following announcement of representation earlier this year. Highlighting the fierce and complex surrealism Willing voiced in the 1970s-80s, the paintings hold a sharp emotional range - from joy to cerebral anxiety and the pain of mortality - that feels uniquely attuned to the present moment.
In the early 1970s Willing experienced his first vision following a return to England from Portugal, where he had lived with his children and wife, the artist Paula Rego. Shifting from figuration to a mysterious blend of the metaphysical and the geomtric, Willing began to paint furiously in response to hallucinatory reveries that appeared on the wall of his windowless Stepney studio. Ideas of memory, loneliness and nostalgia recur in rich golden-hued shades as distorted organic shapes and domestic symbols. Influenced by Jungian dream psychoanalysis, these fragmented images hint at the elusive workings of a solitary subconscious.
Though exhibited in notable museum solo exhibitions such as the Whitechapel Gallery during his life, Willing suffered from multiple sclerosis and died tragically at the age of sixty, leaving a small but profound legacy of works behind. His dense brushstrokes became configured by illness as time went on, while references to a man in flames suggest a desire for phoenix-like transformation. Yet the paintings express a joy in life, favouring fresh, bright shades of royal blue and cadmium orange, swamp green with an economy of line that encourages the viewer to fill in the gaps.
‘Expressing ideas decades ahead of his time, Willing’s emergence as an artist of profound psychological insight echoes his artistic peer Philip Guston’s radical turn from abstraction to surreal landscapes of the inner self,’ says gallery founder Timothy Taylor. ‘Were he alive today, I am certain that the intensity of his flame would have burned just as brightly.’
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