Daniel Crews-Chubb, 1984
Daniel Crews-Chubb was born in Northampton, England in 1984. He studied at Turps Art School, London and Chelsea College of Arts, London. Crews-Chubb is quickly garnering international recognition for his innovative, experimental collage paintings, which mine the legacies of Art Brut, Arte Povera, and Abstract Expressionism, and interrogate symbols and archetypes of art history. As David Pagel of the Los Angeles Times writes, “If Crews-Chubb’s paintings were billboards, they’d stop traffic. But there’s more going on than immediately meets the eye. To look closely is to see how deliberately, even carefully, each is made … You don’t need to know what they reference in order to come face to face with their beauty, which is down and dirty and so far from pretty that you might start to think that beauty without a touch of grunge or even ugliness is not all it’s cracked up to be.”
Daniel Crews-Chubb was born in Northampton, England in 1984. He studied at Turps Art School, London and Chelsea College of Arts, London. Crews-Chubb is quickly garnering international recognition for his innovative, experimental collage paintings, which mine the legacies of Art Brut, Arte Povera, and Abstract Expressionism, and interrogate symbols and archetypes of art history. As David Pagel of the Los Angeles Times writes, “If Crews-Chubb’s paintings were billboards, they’d stop traffic. But there’s more going on than immediately meets the eye. To look closely is to see how deliberately, even carefully, each is made … You don’t need to know what they reference in order to come face to face with their beauty, which is down and dirty and so far from pretty that you might start to think that beauty without a touch of grunge or even ugliness is not all it’s cracked up to be.”
Artworks
Mare Imbrium with Moths (pink and green), 2020, Oil, oil pastel, charcoal, ink, spray paint, sand, coarse pumice gel and collaged fabrics on canvas in artist’s frame
Flowers (yellow), 2020, Oil, oil pastel, charcoal, ink, spray paint, sand, coarse pumice gel and collaged fabrics on canvas in artist’s frame
Flowers (After van Gogh), 2020, Oil, oil pastel, charcoal, ink, spray paint, sand, coarse pumice gel and collaged fabrics on canvas in artist’s frame
Head (Serpents and drummer, pink, green, yellow), 2020, Oil, oil stick, pastel, acrylic, ink, charcoal, spray paint, coarse pumice gel and collaged fabrics on canvas in artist’s frame
Flowers I, 2020, Oil, oil pastel, acrylic, charcoal, spray paint, ink, coarse pumice gel and collaged fabrics on canvas
Flowers IV, 2020, Oil, oil pastel, acrylic, charcoal, spray paint, ink, coarse pumice gel and collaged fabrics on canvas
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Daniel Crews-Chubb, 1984
Daniel Crews-Chubb was born in Northampton, England in 1984. He studied at Turps Art School, London and Chelsea College of Arts, London. Crews-Chubb is quickly garnering international recognition for his innovative, experimental collage paintings, which mine the legacies of Art Brut, Arte Povera, and Abstract Expressionism, and interrogate symbols and archetypes of art history. As David Pagel of the Los Angeles Times writes, “If Crews-Chubb’s paintings were billboards, they’d stop traffic. But there’s more going on than immediately meets the eye. To look closely is to see how deliberately, even carefully, each is made … You don’t need to know what they reference in order to come face to face with their beauty, which is down and dirty and so far from pretty that you might start to think that beauty without a touch of grunge or even ugliness is not all it’s cracked up to be.”
Crews-Chubb’s first institutional installation will open in April 2020 at the Wellington Arch in collaboration with English Heritage. The artist has been the subject of solo exhibitions at Roberts Project, Los Angeles (2018); Vigo Gallery, London (2016); and Galerist, Istanbul (2014). Recent group exhibitions include Telescope, curated by Nigel Cooke, Hastings Contemporary, Hastings (2019); Tree, Vigo Gallery, London (2018); and ICONOCLASTS: Art out of the Mainstream, Saatchi Gallery, London (2017). His works are represented in international public and private collections including the Denver Art Museum, Colorado; The Long Museum, Shanghai; Saatchi Gallery, London; The Bunker Artspace and Beth Rudin de Woody Collections, Palm Beach and New York; and the Hall Art Foundation, New York. He lives and works in London.
Crews-Chubb’s first institutional installation will open in April 2020 at the Wellington Arch in collaboration with English Heritage. The artist has been the subject of solo exhibitions at Roberts Project, Los Angeles (2018); Vigo Gallery, London (2016); and Galerist, Istanbul (2014). Recent group exhibitions include Telescope, curated by Nigel Cooke, Hastings Contemporary, Hastings (2019); Tree, Vigo Gallery, London (2018); and ICONOCLASTS: Art out of the Mainstream, Saatchi Gallery, London (2017). His works are represented in international public and private collections including the Denver Art Museum, Colorado; The Long Museum, Shanghai; Saatchi Gallery, London; The Bunker Artspace and Beth Rudin de Woody Collections, Palm Beach and New York; and the Hall Art Foundation, New York. He lives and works in London.
Biography
| 1984 | Born in Northampton, England |
| 2016 | La Brea Studio Residency, Los Angeles, USA |
| 2017 | The Taylor Collection Residency, Denver, USA |
| 2019 | The Vannucci Artist Residency, Umbria, Italy |
Selected Solo Exhibitions
| 2020 | Cave Continuum, Timothy Taylor, New York, NY, USA |
| 2018 | Chariots, Beasts and Belfies, Roberts Projects, Los Angeles, CA, USA |
| 2016 | Shango, Vigo Gallery, London, UK |
| 2015 | Zumbi and Belfie, Galerist, Istanbul, Turkey |
Selected Group Exhibitions
| 2020 | Synchronicity, Roberts Projects, Los Angeles, California, USA |
| 2020 | 45 at 45, L.A. Louver, Los Angeles, California, USA |
| 2019 | Telescope, curated by Nigel Cooke, Hasting’s Contemporary, Hastings, UK |
| 2018 | Tree, Vigo Gallery, London, UK |
| 2017 | ICONOCLASTS: Art out of the Mainstream, Saatchi Gallery, London, UK |
| Playing Mas, Vigo Gallery, London, UK | |
| 2016 | Continuum, Vigo Gallery, London, UK |
| 2015 | The Fantasy of representation: with Francis Bacon, Garry Hume and Hurvin Anderson, Beers, London, UK |
| 2013 | Crash Open, Charlie Dutton Gallery, London, UK |
| Turps Studio Program Final Show, Vigo Gallery, London, UK | |
| Artist of The Day 2013, Flowers Gallery, London, UK | |
| 2012 | Creekside Open 2013, A.P.T. Gallery, London, UK |
| Jill George Group Exhibition, Gallery 27, London, UK |
Selected Public and Private Collections
| Beth De Woody Collection, New York, NY, USA |
| Deighton Family Collection, London, UK |
| The Bunker Art Space, Florida, FL, USA |
| CC Foundation, Shanghai, China |
| Denver Art Museum, Denver, CO, USA |
| Hall Art Foundation, New York, NY, USA T |
| The Long Museum, Shanghai, China |
| Modern Forms Collection, London, UK |
| Saatchi Gallery, London, UK |
| Taylor Collection, Denver, CO, USA |
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